Yashoda Movie Review
‘Yashoda’
‘Yashoda’ movie review: A spirited Samantha powers a thriller drama
At hospital in the vicinity of a lower middle class settlement, we first see a teary-eyed Yashoda gazing at a poster of an infant. She has opted to be a surrogate mother to tide over a financial necessity and agrees to be transferred to a surrogacy facility, as per the agreement, for the rest of her journey. The warm hues of the basti make way for cooler tones of the plush hospital she finds herself in.
A large part of this story unfolds in the luxury hospital managed by Madhu (varalaxmi sarathkumar), an art director. Art director Ashok builds the make-believe world, which is aesthetic yet eerie. He also builds a bond between Yashoda and the only doctor in the hospital, Gautam (unni mukundan). When something sinister happens, Yasha decides to get to the root of the problem. The directors sprinkled the narrative with plenty of hints, seemingly casual at first but which ultimately build the big picture necessary for this thriller. For example, Yasha’s routine of putting her bindi on a glass pane - a habit with many women - was cleverly used in this story.
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